Ah, another blog to try and remember to post on
A tumbler for pictures and things I like
Ask me anythingA minute of silence for all the good books with bad movie adaptions.
A minute of silence for all the bad books that are getting movie adaptations.
A minute of silence for books with the movie adaptation on the front cover
A minute of silence for The Last Airbender
ten minutes of silence for The Last Airbender
Two hours of stunned horrified silence for The Last Airbender.
(Source: theboysofwinterfell, via backofthebookshelf)
MYTHOLOGY: Cait Sidhe or Fairy Cat
Cait Sidhe (pronounced caught shee) is a fairy creature from Celtic mythology said to resemble a large black cat with a white spot on its breast. It was said to haunt the Scottish Highlands. Some common folklore suggested that the Cait Sidhe was not a fairy, but a transformed witch. Some people believed that the Cat Sìth was a witch that could transform voluntarily into its cat form and back eight times. If one of these witches chose to go back into their cat form for the ninth time, they would remain a cat for the rest of their lives. It is believed by some that this is how the idea of a cat having nine lives originated.
(via fuckyeahstrangemythology)
Elevator door of Chrysler building
beautiful
(via artdecoblog)
Folk-inspired fashions from the magazine “Искусство Одеваться” (The Art of Dressing), mid-late 1920s
Interesting to see that the influence of Russian folk embroidery, which was at its height in Paris from the very late teens into about 1922 -3 due to the influx of White Russian émigrés, continued mid-late in Russian itself. These are beautiful examples - the 1920s geometric silouette really leant itself to being a canvas for this beautiful textile art.
If I am not mistaken, folk motives were made extremely popular in ’20s Soviet fashion by designer Nadezhda Lamanova (In fact, the designs on the top picture are hers, according to the source - I can’t make out the fuzzy text at the bottom, but it’s likely.) She is quite remarkable in that she stayed after the revolution (albeit at the price of a short imprisonment) and went from designing over-the-top fashions for the imperial court to designing fashions for the “new Soviet woman”, including dresses made from towels, shawls and such (although she also continued to design more lavish dresses during the ’20s for the few who could afford it).
Unfortunately, it is quite difficult to find her designs from that period, but, if anyone is interested, I’ve posted a few under this tag, including a few inspired by traditional costume (and others that show how amazingly versatile she was). Also, folk embroidery was used as an affordable way to embellish clothing, and far less offensive to socialist ethics than “bourgeois”/ “NEPman-ish” beadings, sequins, ostrich feathers, etc.
And did I mention that her combination of ultra-simple, modern designs and folk motives snatched up the Grand Prix at the 1925 Arts Decoratifs exhibition?
(I could ramble on about this forever…)
Re-reblogging for additional commentary and links :) Gorgeous work - I wonder how much is still extant?
OH MY GOSH
THAT IS A TURTLE
AND HE IS CRAWLING TOWARDS ME
AND HE HAS BIG SHINY EYES
SADFHASDKJFAHDSJFA
HAVE I MENTIONED I LOVE THIS TURTLE
I think this turtle can cause world peace
(Source: thelegendaryunicorn, via language-escapes)
Burlesque dancer Zorita walks her pet snake, 1937
(via artdecoblog)
Josephine Baker (1906-1975), American-born French dancer, singer and actress. And of course, occasionally eccentric.
In this 1936 picture, she’s walking her pet cheetah.
(via artdecoblog)
(Source: iamabadcitizen, via fangirlasplosian)